A north Italian fruitwood microcarving on ebony miniature

A North Italian Fruitwood On Ebony Microcarving Miniature

A North Italian fruitwood, walnut, ebony , boxwood, tulipwood and kingwood microcarving portrait relief miniature attributed to Giuseppe Maria Bonzanigo (1745-1820), depicting a standing Mars with cuirass, feathered helmet and sword, holding a spear with his right and a shield on his left hand.

A fine pair of Venitian rococò giltwood window benches

A very important and unique pair of late-Baroque Italian polychrome majolica two- light wall-sconces

An Italian Florentine marble, hard stones and pietre tenere panel of the the Gran Ducal workshop, depicting a part of a tower fortification sea with a red flag and a small boat with a figure.

A Pair of Italian Rococo Green and White Painted Consoles with White and grey Marble Tops, Genoa, Mid-18th Century

A small George I, white, polychrome and gilt Japanned bureau cabinet, in pine and oak wood, possibly decorated in Edinburgh or in Germany by an English japanner.

A German gilt-bronze mounted walnut and fruitwood bureau-cabinet. The parquetry-inlaid upper section enclosing a painted shelved interior over a conforming fall, and two banded drawers, with shaped apron, on angular cabriole legs. Circle of Abraham Roetgen, Rhineland, possibly Coblenz, 1750 circa.

Oil on Oak Panel, English School c.1600, After the Original Design by Hans Vredeman de Vries (1527–c. 1607), c.1560.

A pair of North Italian carved giltwood rococo mirrors.

A guarniture of three large Imari-style painted terracotta vases

A Pair of Italian Grand Tour Siena marble oval portrait reliefs of the Roman Emperors Vaspasian and Domitius set on a Rosso Antico ground, inscribed T VESP. AUG and DOMIT. AUG in bronze moulded frames with the suspension loops

A Continental Nast Biscuit Porcelain Figure of Neptune, Paris Circa 1810.

A fine pair of Italian neoclassical carved giltwood banquettes.

A pair of Italian giltwood carved folding stools, with a rectangular loose cushion seat, in a red silk velvet, above ‘X'-frame baluster supports, carved with scrolls, centred by a patera, joined by shaped stretchers centred by a stylised scallop-shell, on outward scrolled feet.

A North-Italian neoclassical creme painted and microcarved parcel gilt-walnut console table with original Grey Valdieri marble top, Turin, 1790 circa

An Italian giltwood carved pliant, with a rectangular loose cushion seat in a green damask and trimming, above ‘X'-frame baluster supports, carved with scrolls, joined by shaped stretchers, on inward scrolled feet.

The ‘Bruno of Cologne’ Table.

A pair of rare and important Italian Rococo ormolu twin-branch Candelabra.

Louis XV Ormolu mounted Luduans in turquoise-glazed Chinese porcelain, Qing Dynasty.

A large pair of North-Italian polychrome-painted papier-machê decorated Magots, a mandarin official and his consort, with tilting heads with lead weights.

A set of four Italian walnut, carved and gilt wood and burin-finished ground (bulinato) armchairs, each with a tablet top-rail centred by a stylized foliate motif converging into an eight-point armorial star,

A pair of George III gilt and patinated bronze mounted white marble Cassolettes, England, c. 1790.

An important North-Italian Royal Restoration white-lacquered and parcel-gilt bow-fronted chest of drawers

A fine pair of Empire ormolu and patinaed bronze vases "aux amours".

An Italian parcel-gilt, rosewood, marquetry and ebonized bureau cabinet. Rome, second quarter of the 18th Century.

An early Neoclassical pair of Italian cream painted and poplar wood carved consoles each with a moulded faux marble wooden top painted in imitation of Cipollino marble. Probably by Ignazio Marchetti(Parma, 1715-1800) after Petitot models (Studio essay By Enrico Colle)

Massimo Listri Versailles, III, France 2003, Printed Later C print? (Chromogenic) 120 x 150 cm. (47.2 x 59.1 in.) Signed, titled, dated and from edition of 5 on artist’s label on verso. Mounted and framed.

Palazzo Butera II, Palermo 2016, Printed Later Archival Lambda Color Photograph/ Chromogenic print 120 x 150 cm. (47.2 x 59.1 in.) Signed, titled, dated and from edition of 5 on artist’s label on verso. Mounted to bibond and framed.